Ink on Paper Board
22 x 15 in
Unframed dimensions: 7 x 6 inches
A small group of New Mexico artists including Raymond Jonson, Emil Bisttram, and William Lumpkins formed the Transcendental Painting Group (TPG) in 1938. The collective was inspired by early abstract artists like Wassily Kandinsky and Piet Mondrian, as well as Theosophy, Zen Buddhism and Dynamic Symmetry. Their goal was to validate and promote abstract art by transcending their senses to explore spiritual realms. The group organized lectures, published articles and mounted exhibitions in New Mexico, San Francisco and New York. Alfred Morang was not a founding member of the group, be acted as their press secretary. An excerpt from his Morang’s November 4, 1938 article “Transcendental Foundation Plans Extensive Activities” in the Santa Fe New Mexican:
It is deeply significant that in this time of readjustment in almost every stratum of life, a few people are intent upon an important branch of cultural development. In Santa Fe the founding of the ‘American Foundation for Transcendental Painting, Inc.’ marks the start of a new phase of American art. […] Briefly, transcendental painting is no school or ism. It is a phase of art that, out of many more or less isolated experiments, has evolved toward non-objective painting, the type of painting that is not dependent upon an object, in nature, but is deeply concerned with forms conceived by the imagination.
The TPG only lasted a few years, disbanding in 1942 because of World War II. However, the collective’s influence endures in the Southwest and beyond. Some consider the group an heir to Russian Constructivism and the Bauhaus.
Click the image to view a larger version.CALL FOR PRICE